The Grateful Grill is a pop-up restaurant located in one of Antwerp's most recognizable landmarks: the Antwerp Tower. From May to October 2016, the entire building opens up its floors for creativity, before being completely overhauled to become a residential block.
I was asked to design a mural to decorate the former office space. Big thumbs up to the guys behind this project, be sure to visit the tower if you're in the neighbourhood, the view from the top is unbeatable.
Perrette was once once one of Belgium's most popular chocolate bars, before production was discontinued in the eighties. The brand is currently receiving a thorough makeover and will be on sale again soon, after years of absence. This vintage flavoured logo is step one of the rebrand. Launch in spring 2017.
Bolides is a new and innovative car sharing service operating in several Belgian cities. Subscribers use their smartphone to open and start the cars, eliminating the key-handover process.
The cars themselves needed a bit more visibility though, so Panache Studio asked me to custom letter the new slogan they came up with. In English it reads: Smart car, even smarter driver.
After selling homemade cupcakes from her vintage pink truck for a few years, Merel – who got nicknamed Mirlo while living in Spain – thought the time was right for the next step. In her dreamy little bar she offers customers a combination of great coffee, delicious food and some of her favourite interior goodies. Service is always with a smile at Mirlo's, and it's the perfect spot for an informal meeting, a brunch with friends or a little me-time.
I hand lettered a bespoke logo – painted on the windows by the magnificent Señor Color – and designed all collateral like menus, gift cards, flyers, business cards and stamps.
The Museum Plantin-Moretus in Antwerp was founded in 1555 as the first industrial printing works in history. It houses the oldest printing press in the world and was named as a UNESCO world heritage in 2005, the first museum worldwide to have been given this honour.
On 30 September 2016 it reopened after being fully refurbished, with a festive weekend full of animation. The museum asked me to do a performance during the entire weekend, so I used the windows of cafes and shops on the surrounding square as my canvas.
I wrote paragraphs of Pegasides Pleyn ende den Lust-hof der maeghden, a poetic publication by Jean Baptiste Houwaert from 1583, printed by Christoffel Plantin.
Lifestyle store Juttu asked me to illustrate a quote for their magazine Juttugram. Each issue revolves around one theme, and this time it was 'The best is yet to come'. Love that thought.
Logo for the organisation behind Antwerp's tastiest festival.
The Abraaj Group Art Prize is one of the most significant art prizes in the Middle East, North Africa and South Asia, organized since 2008. Each year, artists are invited to submit proposals for a major new commission – a 'dream project', to be produced through a $100,000 award and then revealed as part of a group exhibition at Art Dubai. The exhibition also features work by three shortlisted artists.
I had the honour of designing the accompanying two-volume publication, dedicated to the work of the winners and runners-up.
Since the theme of the catalogue revolved around structures and meaning of language, this idea was extended to the design, revealing the structure of the book in terms of layout (grid) and binding. Volume two features a bilingual glossary printed on a bright yellow paper stock.
GT Cinetype, Fedra Sans Arabic, Atlas Grotesk
Munken Polar Rough (inner pages) / Rainbow Intense Yellow (glossary) / Arctic Volume (cover)
R/V quadri + soft touch laminate and yellow hot foil for cover
Hans Geyens – a.k.a. Señor Color – is a true contemporary sign painter. I have relied on his skills to make some very cool projects happen in the past.
When he ran out of handmade business cards he asked me to come up with new ones that would really fit him and his rather exotic style. So much fun.
'The Welfare State' is an exhibition with works by eight contemporary artists of different generations and visual materials from four Flemish archives, organised by
M HKA. The exhibition is both explicitly and implicitly socio-political, and raises topics of relevance to the current situation in the world.
The identity included, among other things, a logo in three language versions, a publication, invitation, poster, wall texts and advertisements in several international art magazines.
The pocket book-like publication serves as a guide to the exhibition, featuring essays on the participating artists and the welfare state itself.
Sidney makes very good sandwiches.
I made his business stand out in the street.
Sign painting by the ever awesome Señor Color.
When Geelhand & Barbaix merged with Huber & Crommen to form a new law firm, they needed an update of their logo and a new website. Because each maintained their own specialty (tax law for Huber & Crommen, succession planning for Geelhand & Barbaix) they wanted this distinction reflected in their graphic identity and in the structure of the website. I gave each division a different shade of blue and when focussing on one, the other would fade to the background. Spot varnish was used to accomplish this on the business cards and separate domains on the website.
Web development by Panache Studio
Thomas The Taco Guy Serros was born and raised in California, where soy sauce and hot sauce are as common as salt and pepper. Since he moved to Antwerp, bringing some of The Golden State's rich food heritage to Belgium is his mission. He plans to do this by selling home made tacos from his custom triciclo de carga: The Taco Bike.
I opted for a clean, contemporary visual style and kept the Mexican references sparse, to make the colourful food and drinks pop out.
The tagline is a funny heads up to the customers, so they know Thomas hasn't quite mastered the Dutch language yet.
Photos 1, 2 and 3 © Stephanie Duval.
The Antwerp museum for contemporary art (M HKA) approached me to design a book to accompany their 2013 summer exhibition The Collection as a Character. It attempts to review their collection on the occasion of the 25th anniversary of the museum. Curator Anders Kreuger and I came up with a catalogue that plays with reinterpreted 80s magazine aesthetics, while not giving in to nostalgia. Images play the leading part and construct an organic narrative throughout the book. It contains works of 200 key artists from 1958 to today, portraying an interesting collection that is the result of a quarter century of creative contingency.
hardcover + appendix (Dutch translation of texts)
five colour offset on Terraprint Silk 90g, 297 x 420mm
292 pages, 2500 copies
Among locals, Antwerp is known as 'de Koekenstad', which literally translates as 'The City of Cookies'. The annual project Antwerpen Koekenstad tells the story of Antwerp's remarkably rich history in biscuit and chocolate manufacturing.
The 2015 edition highlighted the history of De Beukelaer Biscuits, once one of the world's largest manufacturers of chocolate and biscuits, that operated from Antwerp.
I designed a book, a tram, flags and banners, exhibition panels, brochures and leaflets, posters, vouchers, and other small brand collateral.
All illustrations made by Zhivko, a Bulgarian illustrator.
Elsie Eysermans owns a cosy little bar named Hummingbird, and both are packed with character. Contemporary in style, it's for those who look for quality and originality in a drink.
The visual identity was kept simple, with a few elegant touches to fit in with the architectural style of the venue.
Sign painting by Señor Color
Photography by Bruno De Regge